Search Results

Time Out This page isn’t available right now. But we’re working on a fix, ASAP. Try again soon. Go Back

Time Out This page isn’t available right now. But we’re working on a fix, ASAP. Try again soon. Go Back

Time Out This page isn’t available right now. But we’re working on a fix, ASAP. Try again soon. Go Back

Time Out This page isn’t available right now. But we’re working on a fix, ASAP. Try again soon. Go Back

Time Out This page isn’t available right now. But we’re working on a fix, ASAP. Try again soon. Go Back

Time Out This page isn’t available right now. But we’re working on a fix, ASAP. Try again soon. Go Back

Time Out This page isn’t available right now. But we’re working on a fix, ASAP. Try again soon. Go Back

MEET THE GUESTS Want to know more? Click on a guest below for their bio , shownotes , transcript, episode and more.

< Back to all guests #7 Sithuli Mbeje - on mobile abattoirs, bringing processing closer to home and doing what needs to be done 15 March 2024 FIND BELOW 1 Guest Bio 2 Episode Description 3 Show Notes 4 Time Stamps 5 Transcript 1 Guest Bio Sithuli Mbeje is a South African food technologist with over a decade of experience in the food and retail industry. He has a background working with major local and international food companies, specializing in research and development, and particularly in new product innovation. He is the founder of AfriFood Technologies, a company focused on developing solutions for a more sustainable food future. His innovative approach to food waste and supply chain efficiency aims to transform market access opportunities for emerging farmers and food entrepreneurs. According to Mbeje, creating shorter supply chains by bringing processing closer to the source, results in the creation of local food systems, reduced food waste, and better value for small scale farmers and consumers, as well as the entire food value chain. AfriFood Technologies’ signature product is a mobile abattoir designed to support the implementation of circular food economies in rural communities. This innovation addresses challenges in remote areas by providing a more accessible and efficient meat processing solution. Sithuli was a winner in the 2021 Mail & Guardian's Greening The Future Awards and was a participant in the SAB Foundation's Tholoana Enterprise Programme, an intensive 18-month mentorship and development programme for entrepreneurs. 2 Episode Description In Episode 1, disruptive thinker and author Efosa Ojomo highlighted that the potential for prosperity in Africa lay in finding solutions to persistent problems and in doing so, creating new markets. In this episode, we shine a light on Sithuli Mbeje’s journey to developing a mobile abattoir - his response to the problems faced by livestock farmers across Africa when they want to convert their cows to meat. In graphic details he outlines the different steps involved in this process, both in the large industrial abattoirs, as well as his much smaller and compact roving mobile unit. In our conversation he speaks about what gave him the idea for a mobile abattoir, how it fits into his philosophy on food waste and food security and how it is still possible to create value even if you do not follow a linear growth model. He highlights how mobile abattoirs can also serve an important role during outbreaks of foot and mouth disease, a recurring problem across many countries in Africa, as well as in conservation projects that rely on collaborative efforts between farmers and conservation agencies. He speaks of his drive to combine knowledge gained from years in the food processing and retail space with his understanding of food practices back home in rural KwaZulu-Natal, South Africa, to create new food processes and systems to ensure a more sustainable meat supply chain across Africa. 3 Show Notes [00:03:35] Checkers is a large supermarket chain that is part of the bigger Shoprite Group . Shoprite Group is Africa’s largest fast-moving consumer goods retailer. Its core business is in food retailing, complemented by furniture, pharmaceuticals, hospitality, ticketing, digital commerce, and financial and cellular services. Checkers 'boasts three store formats - supermarkets, smaller-format convience stores, large-format hyper stores - and an award-winning grocery delivery service.' [00:03:35] Foot and mouth disease is a severe, highly contagious viral disease of livestock that has a significant economic impact. The disease affects cattle, swine, sheep, goats and other cloven-hoofed ruminants. It is a transboundary animal disease (TAD) that deeply affect the production of livestock and disrupting regional and international trade in animals and animal products. The disease is estimated to circulate in 77% of the global livestock population, in Africa, the Middle East and Asia, as well as in a limited area of South America [00:08:20] KwaZulu Natal's carcass grading system [00:15:22] Meat Naturally ' brings together livestock farmers, NGOs, meat buyers, and stakeholders in the meat value chain. By providing education, farming resources, grazing expertise, and market opportunities, Africa’s rangelands and wetlands are being restored every day'. [00:17:28] Offal , also referred to as variety meats is the name for internal organs and entrails of a butchered animal. Worth a read: The Offal-Eater’s Handbook: Untangling the Myths of Organ Meats [00:18:06] KwaZulu-Natal is one of 9 provinces in South Africa. It covers an area of 94 361km ² , the third-smallest in the country, and has a population of 11 065 240, making it the second most populous province in South Africa, with just over half its population living in rural areas. [00:03:35] Haggis is a dish made from the liver, stomach or heart of sheep or cows. Whatever meat is used is usually mixed with onion, oatmeal and suet before being boiled in the animal’s stomach. Haggis recipe . [00:20:37] Woolworths SA is South Africa’s largest retailer with more than 700 store locations throughout South Africa and 10 other African countries. Known by locals as 'Woolies', it is known for its high quality and equally high prices. The retailer also has a multichannel focus, with an online presence across its major brands. It is part of Woolworths Holdings Limited, the South African-based retail group. The company also owns a clothing and homeware retailer and has stores in selected African countries and the Middle East. [00:43:48] Karan beef ' is one of South Africa’s leading suppliers of beef products and continuously sets the benchmark for excellence in the local beef industry'. 4 Time Stamps [00:00:00] Pull quote and welcome to the AfricanOptimist podcast [00:02:39] What is a mobile abattoir? [00:03:41] Exploring the traditional meat processing journey [00:08:20] The different grades of meat in commercial meat processing [00:10:43] The downside of commercial abattoirs [00:14:41] How mobile abattoirs benefit local livestock farmers and the environment [00:17:46] Reducing waste by using mobile abattoirs [00:21:30] The founding moment of the mobile abattoir concept [00:24:21] Linear vs circular economies [00:25:49] The workings of a mobile abattoir [00:30:42] The challenges while creating the mobile abattoir [00:33:09] Early Memories of ceremonies and slaughter [00:37:10] Future of AfriFood Technologies [00:39:22] The need to upskill communities in agro-processing [00:42:10] Resistance from commercial farmers [00:44:28] Reflections and Advice 5 Transcript africanoptimist ep7 Sithuli Mbeje Transcript .pages Download PAGES • 348KB Back to top ^

< Back to all guests #6 Erica de Greef - on Vogue Business’ accolade as one of 100 global fashion ‘agitators’, using African fashion as a decolonial tool, re-imagining Western 1960s dresses and Africa’s ‘folded’ fashion 04 March 2024 FIND BELOW 1 Guest Bio 2 Episode Description 3 Show Notes 4 Time Stamps 5 Transcript 1 Guest Bio Erica de Greef is a prominent figure in the realm of fashion curation and research. Having dedicated years to the exploration and preservation of Africa's rich sartorial legacy, Erica is celebrated for her groundbreaking work in uncovering untold stories and shedding light on often overlooked aspects of the fashion history. Her research transcends mere garments, delving into the societal, economic and political dimensions that shape Africa's fashion landscape. As a curator, Erica de Greef orchestrates exhibitions that not only showcase the aesthetic brilliance of African fashion but also challenge perceptions and provoke thought on issues of identity, representation and globalization. Through exhibitions, digital media and scholarly publications, she strives to foster a deeper understanding of and appreciation for the diverse tapestry of African fashion, both past and present. Erica lectured for 14 years at LISOF School of Fashion (now Stadio School of Fashion), with two years as Head of Department. There she interrogated and overhauled the fashion curricula and promoted critical fashion knowledge with a strong local content, enabling the development of projects of research and display that engaged with notions of fashion, history, society and identity. Many of her students moved on to become celebrated South African designers, including Wanda Lephoto, Thebe Magugu, Rich Mnisi and Ella Buter (Superella). In 2019 Erica co-founded the African Fashion Research Institute (AFRI) with partner Lesiba Mabitsela. The institute ‘shares the work of local and global African fashion pioneers, academics, makers, thinkers, students, critics and leaders through fashion-driven decolonial research projects and digital platforms’. Their focus is on 'rewriting fashion histories that speak to afro-centric ways of wearing, knowing, making, and styling, often absent in fashion books, exhibitions, and imaginations’. One of their notable current projects is the creation of a glossary of terms for African fashion, under the umbrella concept of ‘The Fold’ - inspired by the fact that a lot of African fashion involves the folding of textiles in unique ways in different countries across the continent, and the notion that a folded material has an intrinsic characteristic of potentially hiding something in its folds. After successfully completing a Masters in Fine Arts at the University of Witwatersrand (2011), Erica completed a Post-Graduate Diploma in Higher Education at the University of Cape Town (2013), both with distinction. She holds a PhD from the Centre for African Studies from the University of Cape Town which posits how absences in local museum fashion/dress collections could be redressed through a digital (both film and the internet) reimagining in contemporary curation. 2 Episode Description In 2023, Vogue Business named Erica de Greef and African Fashion Research Institute (AFRI) co-founder Lesiba Mabitsela as part of a group of 100 ‘next-gen entrepreneurs and agitators’ in the global fashion world, ready to overhaul the current system and show us a different future. In this episode, we unpack why Vogue gave them that accolade, how Erica sees fashion as a decolonising tool, what different stories need to be told (and how a different approach to fashion can tell those), what to do with white colonial clothes collections buried inside South African and other museums, and how a single archived dress can be re-imagined to fill the gaps in African fashion history. Erica discusses the evolution of African fashion, from being marginalized to gaining global recognition and challenging the traditional narratives within the fashion industry. The conversation covers various topics including the redefinition of African fashion, the importance of acknowledging fashion as a cultural expression beyond Western influences, the journey and role of AFRI in shaping new fashion narratives, and the personal experiences that have influenced Erica’s approach to fashion research and education. Erica explains why the words ‘Africa’ and ‘Fashion’ were never placed together as a phrase in the past and also explains why the term ‘slow fashion’ might not be the most suitable, or chosen, term for fashion in Africa. It is only in the last twenty years or so that South Africa started to develop its own local fashion brands, and in this episode Erica reveals the part she played in that development. For those wishing to understand the past erasure of African fashion and its relegation to ethnographic museums - and the work being done to change that - this episode is for you. 3 Show Notes 00:46 ‘The Devil wears Prada’ - lumpy blue sweater scene 01:27 The African Fashion Research Institute (AFRI) 01:33 The Vogue Business 100 Innovators: Next-gen entrepreneurs and agitators 02:52 Lesiba Mabitsela 12:53 The identity politics of wax print. - a fascinating insight into Dutch wax print’s political history. And what looks like a fantastic film, here's the trailer for the Wax Print film 13:53 LISOF is now known as Stadio Higher Education 17:23 Malick Sidibé (1936-2016) wa s a Malian photographer who was noted for his black-and-white studies of popular culture in the 1960s in Bamako , Mali. The Archive of Malian Photography hosts 14,309 scanned negatives and corresponding metadata from the archives of Malick Sidibé. This figure represents about 10% of his complete archive. 17:24 James Barnor is a Ghanain photog rapher. His quote on his foundation's website is probably more relevant now than it ever was: ‘I came across a magazine with an inscription that said, “A civilization flourishes when men plant trees under which they themselves never sit.” But it’s not only plants – putting something in somebody’s life, a young person’s life, is the same as planting a tree that you will not cut and sell. That has helped me a lot in my work. Sometimes the more you give, the more you get. That’s why I’m still going at 90!’ 18:40 Technically Model C schools don't exist as a separate category but the term was used to denote a former whites only school that is government-funded, however they are administered and largely funded by the parent body. 19:00 SA Fashion Week first began in 1997 by Lucilla Booyzen. Download its 21 years of SA Fashion Week booklet. From the intro: 'In August 1997, in a purpose-designed white marquee in what is now Mandela Square, the heart of Johannesburg’s high-powered new commercial hub, South African Fashion Week rolled out the black carpet and announced itself open for business.' 20:03 Wanda Lephoto ' explores a notion of luxury dress merging African cultures, traditions, identities and approaches with global nuances to form new propositions for representation'. 2 0:06 Rich Mnisi is 'a contemporary, multi-disciplinary brand based in Johannesburg, South Africa, founded by Mnisi in 2015'. 20:08 Thebe Magugu is 'a luxury South African brand'. Worth a watch at the bottom of his home page: a short doccie, 'Discard Theory' ' which he filmed of Dunusa , the street in downtown Joburg where dumped clothes from the U.S. and Europe are sold for a song. 20:10 Superella is run by self-defined 'clothes maker' (not fashion designer) Ella Buter and sells ' easy, free and comfortable layers. Quality clothes that last for years and years. Small production runs. Using the very best natural fabrics' 20:14 Roman Handt is 'a fashion designer / textile scientist' 22:56 Drum magazine was establ ished in the 1950s and ' became an important platform for a new generation of writers and photographers who changed the way Black people were represented in society'. 22:57 Stoned Cherrie began in 2000 and became one of South Africa's most award-winning designer brands, through the use of bespoke textiles and t-shirts emblazoned with political and cultural South African icons 23:06 Black Coffee is the label of South African designer Jacques van der Watt and was founded in 1998 23:51 loxion kulca (a hybrid slang term for location (township) + culture) is a South African streetwear brand co-founded by Wandi Nzimande (who died of COVID in 2021 ) and Sechaba Mogale 24:32 The Space is a retail and online store that sells garments by well-known and lesser known South African designers. They are 'all about local fashion and accessories created by African designers, locally made and distributed'. 24:39 YDE is the Young Designers Emporium, a retailer providing emerging South African designers with an established platform to sell 25:06 Fashion Cities Africa was an exhibition held in Brighton Museum, England, from 30 April 2016 to January 2017. It was 'the first major UK exhibition dedicated to contemporary African fashion'. 25:42 Erica de Greef's PhD thesis 'Sartorial Disruptions' 27:05 Edward Enninful stepped down as British Vogue's editor-in-chief in February 2024 but will stay on at Condé Nast to become Vogue’s global creative and cultural adviser. 28:30 Iziko Museums of South Africa was formed in 1999 and now operates 11 national museums , a planetarium, the social history centre, 3 subject specific libraries and the SAS Somerset, a boom defence ship. It is the oldest museum in southern Africa, and together, all affiliated museums contain about 2.26 million artefacts. 30:27 An ibheshu ( an apron covering the buttocks ) is made of calf skin and is knee length for young men and calf length for older men 31:36 Mode Museum , MoMu, is Antwerps's fashion museum founded in 2002. + ‘ Beyond Desire’ was an exhibition that ran from February to August 2005 and examined the way in which African and Western cultures influenced each other 32:42 History of Museum Africa 34:00 The Bernberg Museum of costume was situated on Jan Smuts Avenu near the Johannesburg Zoo. It was demolished to make way for the Johannesburg Holocaust and Genocide Centre 35:22 The Sartists are a ' multidisciplinary collective made up of Andile Buka , Kabelo Kungwane , Wanda Lephoto and Xzavier Zulu who are seeking to challenge insular notions about blackness with a documentary approach to style and identity'. 35:34 Santu Mofokeng (1956 - 2020) was a prolific and well-known news and documentary photographer. The Black Photo Album was a collection of private photographs commissioned by urban black working- and middle-class families between 1890 and 195 0. In this work, Mofokeng analyses the sensibilities, aspirations and self-image of the black population and its desire for representation and social recognition in times of colonial rule and suppression. 38:21 Rhodes Must Fall . Rhodes Must Fall is a protest movement that began on 9 March 2015, originally directed against a statue of British Imperialist Cecil Rhodes at the University of Cape Town in South Africa. The campaign for the statue's removal received global attention and led to a wider movement to decolonise education, by inspiring the emergence of allied student movements at other universities across the world. 39:46 Nelson Mandela's sartorial choices , including a photo of him in the beaded collar (and what few people know: a bedspread draped across his torso - he was in hiding, with nothing else at hand) 40:02 Winnie Mandela - photo of Winnie during the Rivonia Trial, in a black dress with the same beaded collar worn by Nelson Mandela as described in the photo above. 40:13 Iconic photo of a young Miriam Makeba on front cover of Drum magazine, by Jürgen Schadeberg 41:35 Zeitz Mocaa : 21 years: Making Histories with South African Fashion Week 42:02 Curating fashion as decolonial practice: MBlaselo and a Politics of Remembering , Erica de Greef 48:01 The International Fashion Showcase 2019 48:52 Ami Doshi Shah , Kenya 48:56 Cedric Mizero , Rwanda 53:01 The Fold Glossary 53:42 Bark cloth 54:51 Isidwaba 55:54 History of the Iqhiya 01:01:01 The Global Fashioning Assembly 01:02:56 Rolando Vasquez 4 Time Stamps 00:00 Introduction to African Fashion 00:45 The Influence of Western Fashion 01:22 Interview with Erica de Greef 02:05 Erica's Journey into Fashion 05:46 The Role of Fashion in Apartheid South Africa 06:53 The Binary of Fashion and Dress 08:52 Erica's Early Life and Fashion Journey 10:14 The Evolution of African Fashion 12:02 The Impact of Fashion on Society 14:39 The Role of Museums in Fashion History 15:44 The Challenges of African Fashion in Museums 17:54 The Future of African Fashion 38:39 The Power of Clothing in Telling Stories and Fostering Inclusivity 38:57 Exploring How to Re-imagine Nelson Mandela's Lost Wardrobe 39:51 The Lost Fashion of Winnie Mandela and Miriam Makeba 41:30 The Future of Fashion Exhibitions 42:48 The Role of Museums in the Digital Age 46:21 The Journey of the African Fashion Research Institute 48:27 The Power of Digital Exhibitions 50:05 The Fold: A New Perspective on African Fashion 56:47 Slow Fashion 01:01:36 The Future of the Global Fashioning Assembly 01:06:38 Conclusion: The Need for Healing through Fashion 5 Transcript FIN AfricanOptimist Ep6 Erica de Greef_Transcript .pdf Download PDF • 136KB Back to top ^ More on Erica de Greef Articles by Erica de Greef Confronting the Absence of Histories, Presence of Traumas and Beauty in Museum Africa, Johannesburg, Alison Maloney, Wanda Lephoto and Erica de Greef, 2022 Three pairs of Khaki trousers, or how to decolonialise a museum , Erica de Greef Long Read: Fashion, Sustainability and Decoloniality, Twyg Magazine, Erica de Greef, 2019 A collection of academic articles by Erica de Greef Video Masterclass 4: Can we connect slow fashion with our indigenous knowledge? Practicing Decoloniality, the Global Fashioning Assembly @State of Fashion 2022

< Back to all guests #5 Hamza Chaham - on how SOWIT is bringing digital technology to African farmers and what it takes to get AI powered tools into the hands of smallholder farmers, the real hope for food security on the continent 18 February 2024 FIND BELOW 1 Guest Bio 2 Episode Description 3 Show Notes 4 Time Stamps 5 Transcript 1 Guest Bio Moroccan Hamza Chaham is the young co-founder of SOWIT , an agritech company offering real-life data to farmers and key decision-makers along the agri value chain. The SOWIT tech platforms power mobile apps that provide farmers with actionable insights regarding their land, to help them efficiently manage their farms and optimize their productions. The company also provides data to help mitigate risk, manage investments, and influence performance. Chaham is pushing ‘precision agriculture’, farming based on actionable data that can reduce waste on inputs and increase yields through improved data-driven decision-making. The data is drawn from an array of AI powered 'tools' and offers data via subscriptions to mobile apps with a fee based on the amount of hectares under review. SOWIT also provides a bundle of services that go beyond the AI info delivered daily to farmer's phones via WhatsApp and voice messages, to include the credit orchestration and real-life support from agents trained in Agritech but living in the communities that are part of SOWIT's areas of operation. SOWIT’s overall mission relies on modelling tailored decision support tools to achieve the highest value in order to fit African farmers' needs and local conditions. SOWIT is currently incorporated in Morocco, France and Senegal. Notably, Hamza is co-author of the landmark report published by the African Union entitled “ Drones on the horizon: Transforming Africa’s Agriculture ”. The report forms the basis upon which the AU Executive Council issued the Decision EX. CL/Dec. 986-1007 (XXXII), recom mending all Member States harness the opportunities offered by drones for precision agriculture. In 2018, he was recognised as the Marshall German Fund and Policy Centre for the New South Emerging Leader. Chaham was also the former head of international development at AIRINOV. In 2006,Chaham enrolled at Lycée Lyautey au Maroc, where he pursued a Baccalauréat degree in scientific specialization in mathematics, which he completed in 2009. H amza completed this program in 2009. In 2012 Hamza enrolled at HEC Paris and pursued a degree in Grande Ecole, where he completed his studies in Management in 2016. During his time at HEC Paris, in 2013, Hamza participated in an exchange programme at the University of Texas in Austin, where he studied Business Administration. In 2015 he also took part in another exchange programme at the University of the Witwatersrand in South Africa where he focused on his Master of Business Administration (MBA). 2 Episode Description In this episode, we could have focused on the tech side of agriculture with agripreneur Hamza Chaham, because it is digital technology that is really turning agriculture into an exciting scientifically based business. And his company, SOWIT, is using AI powered tools like sensors and probes, trackers and drones, in their work with farmers, government and food producers to successfully help optimize yields. For Hamza, however, this is not where the hope for food security lies. Agritech involves powerful tools, but it is the farmer who ultimately needs to use them. And given that the majority of smallholder farmers grow their crops on a mere 12% of the worlds farmland, yet feed 80% of people in Asia and sub-Saharan Africa, it is with these smallholder farmers, where tech can have the biggest impact in the future. But how to get this tech into the hands of farmers, who often are not digitally savvy and rely on traditional methods to grow their food? That is the focus of today’s insightful conversation with Hamza as he shares his journey to understanding that the farmer, is at the centre of the push for innovation and food security, not technology. 3 Show Notes [00:01:24] SOWIT - bridging the information gap across the agri value chain [00:01:50] ‘Frontier technologies for smallholder farmers', United Nations, Department of Economic and Social Affairs, November 2021 [00:05:29] ‘Parrot pulls plug on airinov’ , Future Farming, July 2019 [00:23:42] Social Media: 84% of Moroccans Use WhatsApp in 2021 (Survey) [00:24:34] The general adult literacy rate in Morocco was 77% in 2022 , compared to the estimated 40% literacy rate among Moroccan farmers. [00:31:40] World Bank - some interesting reading [00:31:42] IFC 4 Time Stamps [00:00:47] Podcast intro [00:02:24] Interview begins - About SOWIT [00:03:16] SOWIT’s intangible offer: information, not inputs and equipment [00:05:18] Increase in demand for data-driven agri info in the last 10 years [00:09:58] Daily problems that farmers face [00:11:58] How Hamza made the transition from being a drone tech man to farming [00:14:11] At which point Hamza realised he was going to focus on smaller farmers [00:16:02] What SOWIT does when it arrives on a farm [00:20:05] Reactions to the tech by farmers [00:21:46] How farmers interact with technology [00:25:01] SOWIT’s business model [00:28:59] SOWIT’s subscriptions and bundles [00:29:31] How does the subscription model work [00:31:29] Who is funding the whole bundle? [00:32:57] Long-term funding solution - de-risking farmers to bankers [00:34:59] How Hamza sees risk [00:38:04] Farmers within the value chain - how others in the value chain must share the burden of farmers if they want to benefit from their labour [00:42:33] Give an example of where SOWIT has had an impact [00:46:59] What difference has SOWIT made on the ground [00:50:10] What does the increase in knowledge do for the farmer [00:52:28] Where SOWIT operates in Africa [00:53:46] The challenge with scaling up and plans to head south [00:56:13] The low moments in Hamza’s entrepreneurial journey [00:57:40] Why people should be excited about what SOWIT is doing [00:58:37] What Hamza would tell people who say 'nobody wants to go into farming anymore’ [00:59:40] What are stereotypes or prejudices that people have about Morocco that Hamza wants to put to rest [01:01:48] Interview ends 5 Transcript FIN AfricanOptimist EP5 Hamza Chaham Transcript .pdf Download PDF • 189KB Back to top ^ More on Hamza Chaham and SOWIT: Publication (contributing research by Hamza Chaham) Drones on the hor izon, transforming Africa's Agriculture , AU & Nepad Videos by SOWIT SOWIT's YouTube channel Press coverage of SOWIT and Hamza Chaham Articles and videos

< Back to all guests #1 Efosa Ojomo - About the 'Prosperity Paradox', disruptive & market-creating innovations and why capital has to be patient in Africa 14 January 2024 FIND BELOW 1 Guest Bio 2 Episode Description 3 Show Notes 4 Time Stamps 5 Transcript 1 Guest Bio Efosa Ojomo ( @efosaojomo ) is a renowned Nigerian author, researcher and speaker . He is a leading expert on disruptive innovation, which he defines as innovations that create new markets and make existing products and services more accessible and affordable in low and middle-income countries. He is the director of the Global Prosperity research group at the Clayton Christensen Institute for Disruptive Innovation , a think tank based in Boston and Silicon Valley, and is a senior research fellow at the Harvard Business School. He is also a member of the World Economic Forum's Global Future Council on Innovation . In January 2019, Ojomo and late Harvard Business School professor Clayton Christensen published The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty . The book outlines a powerful framework for creating prosperity, and concludes that the key to economic development is not to focus on copying the developed world, but rather to identify and invest in disruptive innovations that can create new markets and opportunities for the poor. In a review, the Wall Street Journal wrote that the book provides ‘a better way to fight poverty’ as it returns ‘the entrepreneur and innovation to the centre stage of economic development and prosperity’. His work has been published and covered by the Wall Street Journal, Harvard Business Review, The Guardian, Quartz, Forbes, Fortune, The World Bank, NPR, and several other media outlets. He has presented his work at TED ( a 2019 TedTalk on corruption and innovation which has garnered over 2 million views), the Aspen Ideas Festival, the World Bank, Harvard, Yale, Oxford, and at several other conferences and institutions. Ojomo is a recipient of the 2020 Thinkers50 Radar award , the world’s most reliable resource for identifying, ranking, and sharing the leading management ideas of our age. The award is given to emerging management thinkers who have the potential to shape the future of business at an event that is described by the Financial Times as ‘the Oscars of management thinking’. Efosa graduated from Vanderbilt University with a degree in computer engineering and received his MBA from Harvard Business School. His influence extends beyond the business and academic realms, as his work continues to inspire individuals and organisations to embrace the principles of disruptive innovation as the key driver of global prosperity. 2 Episode Description Did you ever come across that popular optical illusion, which invited you to look at a black and white picture, and then prompted you to describe what you saw? Did you first see the old woman or the young woman? (read this for a little background on this phenomenon) This is what this week’s episode reminded me of. Efosa Ojomo invites us to look at emerging markets, and concedes we can see them one way (let's call it, ‘the old woman way’) but then challenges us to look at the same picture in a different way (the ‘young woman way’), to understand what market-creating innovations can do to create a different outcome for countries and their people, in short, to enable them to prosper. In the episode he discusses the principles of The Prosperity Paradox and explains why ‘sustaining’ and ‘efficiency’ innovations don’t lead to inclusive prosperity, but ‘market-creating’ innovations do. He uses clear examples to illustrate what is possible if policy-makers, investors, companies and individuals (entrepreneurs) change their approach to struggling economies and invest long-term in solving a problem. He highlights the limitations of common economic development models, which tend to be top-down, and offers a new framework for economic growth. 3 Show Notes 03:32 The White Man’s Burden by William Easterly 05:34 Awarded the Nr 1 Management Thinker in the World Professor Clay Christensen 13:33 Author Karen Dillon 18:17 Apple Worldwide Developers Conference WWD23 20:24 Richard Leftley and MicroEnsure 20:28 The Story of Tolaram’s Indomie Noodles (video) 23:19 About Tolaram 27:13 Efosa Ojomo’s TED talk: Reducing corruption takes a specific kind of investment June 2019 and TEDxBYU A Counterintuitive Solution to Poverty: Stop Trying to Eradicate It , March 2019 34:12 Research by Lant Pritchett 38:12 Richard Leftley and MicroEnsure in Africa 43:24 MasterCard Foundation Africa Growth Fund 4 Time Stamps 02:49 Efosa Ojomo tells the background story to his book The Prosperity Paradox 06:35 Why Efosa moved to the United States 08:18 Why the story of a young girl carrying water at 3am changed Efosa's trajectory 11:01 The genesis of The Prosperity Paradox 16:24 The importance of understanding the key categories of consumption and non-consumption 17:54 Explanation of three different types of innovations: ‘sustaining’ innovations, ‘efficiency’ innovations and ‘market-creating’ innovations 22:14 The inspiring story of Indomie Noodles and how they created a new market in Nigeria 24:52 The need for countries to take ‘internal risks’ and invest in key infrastructure themselves 29:23 Barriers to consumption and how they represent opportunities to companies and entrepreneurs, not obstacles 32:42 Push vs pull investments and how pull investments create a whole new ecosystem around a newly created market 34:59 How to approach the reality of the existence of a small middle-class in a country 38:00 What it looks like when a country commits and invests long-term 42:18 Why capital coming into Africa needs to be patient 44:25 What young African leaders and individuals can do, to contribute to creating market-creating innovations 46:05 Efosa’s next book 47:03 How optimistic is Efosa? 5 Episode Transcript AfricanOptimist#1 Efosa Ojomo Transcription .pdf Download PDF • 125KB Back to top ^ More on Efosa Ojomo: Ted Talks by Efosa Ojomo (videos) TED talk: Reducing corruption takes a specific kind of investment, June 2019 TEDxBYU talk: A Counterintuitive Solution to Poverty: Stop Trying to Eradicate It , March 2019 Articles by Efosa Ojomo The process of market creation demystified , by Efosa Ojomo Our latest research - Accelerating the adoption of solar energy in Nigeria: A market-creating strategy , by Efosa Ojomo & Sandy Sanchez What is disruptive innovation? by the Clayton Christensen Institute Books by Efosa Ojomo